by Jamie Allen
Month: April 2021 (Page 1 of 4)
Welcome!
The multimodal compositions you’ll find on in the First-Year Student Showcase were nominated by faculty and students and represent the variety and depth of the work students create over the course of their semesters in LANG 120, HUM 124, and FYS 178. These creations include individual research, group efforts, and whole-class collaborations.
We celebrate not only the students this site recognizes, but also the first-year instructors who dedicate their time and energy to their students, every day, all semester. Thank you for joining us in our appreciation and celebration!
Congratulations to this semester’s showcase lineup!
- Macy Abramson, Riley Johnson, Jada Smith – The Cosmic Egg: Illustrated & Illuminated (Johnson)
- Jamie Allen – Queen Bee Stings Back (McGaha)
- Patrick Applegate – Chameleon Finds: A Video Game (Johnson)
- Patrick Applegate, Josh Buckner, Justin Honeycutt, Makenna Pallozzi, Cody Whitmire – Politics and Power in the Ancient World (Johnson)
- Kate Beisner – Evolution of Women’s Fashion (McGaha)
- Zoe Beltz – Riot Grrl 2.0 (McGaha)
- Lauren Boyle, Mason Bradley, Mia Pini, and Kin Simmons – The Binding Themes: Heroic Epics (Li)
- Noah Burnette – Giving You My Heart: Life Through Skating (Sykes)
- Charlie Cannon, Mountain Bike Trail Journey (Johnson)
- Marissa Carson, Zack Drucker and Taylor Yonemura – Social Proof Podcast (Falter)
- Lilybet Cassidy – Memoir of Through Images (Criser)
- Claire Chut – How Bias in Writers and Writing Effect Our Perception of History (Pisano)
- Ashley Heredia-Cartagena – Fifth Ninth Ave. (McGaha)
- Daniel Hopkins – Writing in the CIA and Military (Pisano)
- Raina Jackson – Museum of Me (Criser)
- Chase Jenkins – Smokescreen: A Podcast (Shepherd)
- Evan Johnson – Weather and Stories: a portfolio website (Johnson)
- Laura Johnson, Amateur Hour–Voter Behavior (Shepherd)
- Matthew Kramer, Cory Moore and Jessie Nilsen – Reciprocity Podcast (Falter)
- Madison Milligan – Museum of My Life (Criser)
- Cory Moore – Spellbook of Rhetorical Techniques (Falter)
- Gabbi Paluzzi – The Grimoire of Persuasion (Falter)
- Anna Peterson – The Secrets of the Darkest Art (Falter)
- Sophie Poels – Witchcraft Past & Present (Mills)
- Seven Pope – Why Should You Listen to Your Local Meteorologist (Pisano)
- Damen Riordan – The Museum of the Marvelous, Mysterious Mr. Roirdan (Criser)
- Nicolas Salazar – Silence=Death (McGaha)
- Danha Sanchez – Past, Present, Future: My Journey Here (Johnson)
- Keely Savage – Ableism and Climate Change (Shepherd)
- Aiden Souza – Curated Museum of Life (Criser)
- The Students of David Clarke’s HUM124 class – Ancient Terra Preta Gardening in Present Time (Clarke)
- Taylor Yonemura – An Idiot’s Guide to the Occult (Falter)
by Macy Abramson, Riley Johnson and Jada Smith
[I]n other stories we have approached and analyzed as a class, there have been mentions of a special, unique, all-powerful deity that was already existing and created the earth, followed by animals, humans, and any other source of life. Additionally, there have been stories that involve animals being the ones to aid in the creation of the foundation of the earth. However, the story of The Cosmic Egg handles the story of the earth’s creation in an
Jada Smith
extremely diverse and extraordinary manner, and it is definitely a story that I personally enjoyed for those reasons. Another aspect of this tale that makes it so unique is the specific correlations it makes between the contents of an egg with the fundamental elements of the earth.
We planned each page based on the original text, and then wrote the new text over that. Writing new text based on our original drawings, which were heavily rooted in the original text, gave our presentation a unique appeal. The new text and images came together in a really interesting way, and aesthetically leaned on each other. . . I wanted to be very careful in depicting these scenes as accurately and sensitively as possible. The idea that my drawings, if done poorly, would be seen as disrespectful was a cause for concern. Because of this concern, I ended up doing a bit of outside research looking into the popular depictions of the Hindu sun god, as well as images of Hindu monks. The fruits of this research can be seen in the latter parts of our booklet, and I think that this gave our adaptation more of an authentic edge
Riley Johnson
It was important to our group that we build upon the original text without stripping it of its intention. To me, ancient texts are fragile and sacred artifacts. This mindset causes me to be weary of my natural inclination to westernize and throw my American touch on practically everything. When it came to adapting the text, I made sure to do brief research on the early Upanishads. Not enough to overwhelm myself, but as much as I needed to understand life in an early Hindu civilization. It was this simple groundwork that allowed me to rewrite the original Cosmic Egg story without colonizing it, if you will. . . We met up on a couple of Saturdays to work on our book, passing it between the three of us and adding something new with each turn. What’s so special about this is that it is reminiscent of the way the original story was created. Just as we joined forces to design our story, the writers of ancient creation myths melded their knowledge together to do the same.
Macy Abramson
For more artistic renderings of ancient cosmogonic stories, follow this link.
by Lauren Boyle, Mia Pini, Mason Bradley & Kin Simmons
Evan’s World of Harmony and Passion
by Evan Johnson
I love the weather, computers, and stories.
I am from and currently live in North Carolina.
Wants something comforting and cheese pizza.
Thanks for visiting my page.
If you’re wondering about the frog on every page, read this story. It was the first post I ever made on here. I decided to stick with the dude.
by Patrick Applegate
At first there were no people. Only Mulungu and the decent peaceful beasts were in the world.” What would you like to do? Insert 1 to inspect Mulungu, 2 to inspect Spider, 3 to inspect Chameleon, 4 to inspect the forest, or 5 to inspect the peaceful beasts. . . . click here to play.
Note: For more reimagining and creative renderings of ancient cosmogonic stories, follow this link.
by Gabbi Paluzzi
through High School into College
by Charlie Cannon
Biking has been one of the rare things that is capable of making me actually want to get up and live everyday. Biking actually makes me feel like I am living, rather than another person existing on the planet. It has made me value the life that I have so much, and even though there’s millions of things that I would change about the world, at least I have one thing that I feel makes me want to live. One thing that gives me the willpower to try to change what I desire to, and make the world a place that everyone wants to live in, rather than exist.
Charlie Cannon, excerpt from Autoethnographic Writing
an original song by Shannon Overman
I decided to write an original song because I have been singing and writing songs all my life. I either always write one section that I like a lot but can never turn into a full song, or I write a whole song but something is off and I end up not liking it. I have never been proud of a finished song, or finished a song that I was proud of, I figured this project was a good place to start, since I would have to finish my song for a grade. I had an idea for a concept from the beginning of writing this song. When I interviewed my friend Anna, that idea fully blossomed into this song. I felt weird writing about my experiences only so I pulled some of her ideas into the song as well. The concept I had before even starting to write the song was the idea of treating the pain as a person. I wanted to write a song that could be confused for a relationship that you are stuck in but that you get nothing from, because that is what this feels like. I asked Anna about this and she agreed. Neither of us chose to be dealing with this chronic pain, and it feels hopeless sometimes. I wrote and used the specific body parts we each mentioned in the interview to make the song feel more exact and personal. I also think it sounds a little sad, which is the intention. I identified the chronic pain in the chorus as a “she” because in literature and music, women are often seen as sneaky and subtle with the ways they hurt people. I found that idea to be quite applicable to my experiences and Anna’s as well. I had a lot of fun making this song and once I started, I finished it in a day. I am grateful I finally had a reason to!